First half recap: my favorite albums of 2010, so far
Monday, June 7, 2010 at 1:51PM It's already June, and that means it's time to take step back and take stock of the new music that has come out so far this year. Force ranking art is completely arbitrary - records impact me differently each time I listen to them, so how can I fairly rank one against another? Therefore, I've decided not to do that. Instead, consider this a list of records that are well worth checking out, in no particular order.
Wooden Dinosaur - Nearly Lost Stars
;)
Nearly Lost Stars from Vermont's Wooden Dinosaur is hands down my favorite discovery of 2010 (so far). These are rustic, plain-spoken and often heartbreaking songs of love and loss. Roberts' fingerpicked acoustic guitar and weathered vocals are the constants, but shuffling percussion, banjo, fiddle, lap steel, horns and the occasional electric guitar add layers of sound. The result is an absolutely beautiful record that deserves to be heard by the masses. Buy it here, and tell your friends.
Dr. Dog - Shame, Shame
;)
Dr. Dog continue to put out consistently great records, and Shame, Shame is no exception. Like Fate before it, Shame, Shame shows the polish of a maturing band, and features a steady dose of bouncy folk-pop grooves. Shadow People, Jackie Wants A Black Eye, Mirror Mirror and Stranger are standouts, but the entire record is fantastic - this has rarely left my car CD player since I got it. Get it here.
Full soundboard recording of Dr. Dog's recent show at the Paradise in Boston available for stream/download here (newly remastered).
Spoon - Transference
;)
I love it when a band follows up a commercially successful record with a bit of a curveball - a challenge to the new fans. Don't get me wrong, Ga Ga Ga Ga Ga is a fantastic record from start to finish - but Transference trades in the sugar-sweet Stax hooks and Spector-ish production for decidedly less-accessible influences; twisted rythms and wiry Tom Verlaine-esque guitar leads. Still, it's unmistakably a Spoon record - driving percussion, gritty guitars and devestating grooves. Get it here.
Josh Ritter - So Runs The World Away
;)
I consider Josh Ritter one of the most important songwriters of our generation - one of few worthy of carrying on the tradition of Dylan, Springsteen, et al. 2007's The Historical Conquests of Josh Ritter, probably the most "fun" and upbeat record in the Ritter catalogue, seemed a bit like a bit of a breather after the epic Animal Years. So Runs The World Away is a return to the cinematic storytelling and intricate compositions that made the Animal Years an incredible and moving record. Buy it here.
Josh Ritter - Southern Pacifica
Titus Andronicus - The Monitor
;)
The Monitor has been positioned as a loose concept album based around the Civil War, complete with marching drums and readings of period-era speeches. However, the Civil War pretense seems to only shift focus from the real story - this is a deeply personal account of a defeated man returning to the home he once wanted to escape. Less than a minute in Patrick Stickles sets the tone for the record, subverting the Springsteen anthem of optimism and escape, screaming "baby we were born to die!". The result though, through fist-pumping choruses and cathartic singalongs, is rewarding and satisfying. Get it here.
Titus Andronicus - Theme From "Cheers"
Not to be forgotten:
The National - High Violet
Kingsley Flood - Dust Windows
Joe Pug - Messenger
Crusaders of Love - Never Grow Up
The Morning Benders - Big Echo
;)