New Music: Deer Tick "The Great Smoke Off" + live bonus tracks

Deer Tick's newly released Black Dirt Sessions delivers another solid album of raw, shambolic bar-band-roots-rock.  When my limited edition vinyl arrived today, I found an unexpected bonus CD with the curious title "The Great Smoke Off".  Turns out that it's a hilarious story song about a Yankee Stadium ganja showdown.  It's completely ridiculous, but also a lot of fun.

Deer Tick - The Great Smoke Off

Also including a few tracks from Deer Tick's recent set opening for Dr. Dog at the Paradise.  This is a soundboard recording, but the quality is sub-par due to almost no guitar going through the soundboard at all, which is why I'm only posting a few select tracks.  Included is a great new MG&V song "Me Me Me", two brand new Deer Tick songs (not included on Black Dirt Sessions) and a great version of Diamond Rings from War Elephant, performed by John McCauley solo.

Me Me Me (MG&V)
New Song? (Ian O'Neil on vocals)
Born At Zero (new song)
Diamond Rings (John solo)

Newly remastered and fantastic-sounding recording of Dr. Dog's set from the same night is available here.

New music: if and it "Cicada Sunset"

"Cicada Sunset" from Portland's if and it is a beautiful slice of folk-pop that is perfectly suited for the warm summer nights that lie ahead.  The simplicity of the song is what makes it work so well - fingerpicked acoustic guitar, shuffling percussion and singable lyrics.  A perfect campfire song.

if and it - Cicada Sunset

Get if and it's fantastic new record Buffalo Heart here - highly recommended.

visible voice goes to Sasquatch

 

visible voice has returned from the Sasquatch Music Festival, and it has to rank as one of the greatest weekends of my life.  As festivals go, it was like a smaller, indie-er Bonnaroo -- but the breathtaking views made it completely surreal.  While I went primarily as a fan, I vowed to return with some content for the site.  My photos somehow didn't really capture the atmosphere of the festival (those two above might be the best of the bunch), so I decided to put together a roadtrip video.  I hope you enjoy:

First half recap: my favorite albums of 2010, so far

It's already June, and that means it's time to take step back and take stock of the new music that has come out so far this year.  Force ranking art is completely arbitrary - records impact me differently each time I listen to them, so how can I fairly rank one against another?  Therefore, I've decided not to do that.  Instead, consider this a list of records that are well worth checking out, in no particular order.

Wooden Dinosaur - Nearly Lost Stars

Nearly Lost Stars from Vermont's Wooden Dinosaur is hands down my favorite discovery of 2010 (so far).  These are rustic, plain-spoken and often heartbreaking songs of love and loss.  Roberts' fingerpicked acoustic guitar and weathered vocals are the constants, but shuffling percussion, banjo, fiddle, lap steel, horns and the occasional electric guitar add layers of sound.  The result is an absolutely beautiful record that deserves to be heard by the masses.  Buy it here, and tell your friends.

Wooden Dinosaur - Can't Be Me

Dr. Dog - Shame, Shame

Dr. Dog continue to put out consistently great records, and Shame, Shame is no exception.  Like Fate before it, Shame, Shame shows the polish of a maturing band, and features a steady dose of bouncy folk-pop grooves.  Shadow People, Jackie Wants A Black Eye, Mirror Mirror and Stranger are standouts, but the entire record is fantastic - this has rarely left my car CD player since I got it.  Get it here.

Dr. Dog - Shadow People

Full soundboard recording of Dr. Dog's recent show at the Paradise in Boston available for stream/download here (newly remastered).

 Spoon - Transference

I love it when a band follows up a commercially successful record with a bit of a curveball - a challenge to the new fans.  Don't get me wrong, Ga Ga Ga Ga Ga is a fantastic record from start to finish - but Transference trades in the sugar-sweet Stax hooks and Spector-ish production for decidedly less-accessible influences; twisted rythms and wiry Tom Verlaine-esque guitar leads.  Still, it's unmistakably a Spoon record - driving percussion, gritty guitars and devestating grooves.  Get it here.

Spoon - I Saw The Light

Josh Ritter - So Runs The World Away

I consider Josh Ritter one of the most important songwriters of our generation - one of few worthy of carrying on the tradition of Dylan, Springsteen, et al.  2007's The Historical Conquests of Josh Ritter, probably the most "fun" and upbeat record in the Ritter catalogue, seemed a bit like a bit of a breather after the epic Animal Years.  So Runs The World Away is a return to the cinematic storytelling and intricate compositions that made the Animal Years an incredible and moving record.  Buy it here.

Josh Ritter - Southern Pacifica

Titus Andronicus - The Monitor

The Monitor has been positioned as a loose concept album based around the Civil War, complete with marching drums and readings of period-era speeches.  However, the Civil War pretense seems to only shift focus from the real story - this is a deeply personal account of a defeated man returning to the home he once wanted to escape.  Less than a minute in Patrick Stickles sets the tone for the record, subverting the Springsteen anthem of optimism and escape, screaming "baby we were born to die!".  The result though, through fist-pumping choruses and cathartic singalongs, is rewarding and satisfying.  Get it here.

Titus Andronicus - Theme From "Cheers"

Not to be forgotten:

The National - High Violet
Kingsley Flood - Dust Windows
Joe Pug - Messenger
Crusaders of Love - Never Grow Up
The Morning Benders - Big Echo

Dr. Dog: Paradise Boston 5.12.10

 

Dr. Dog brought their energetic live show to the Paradise last Wednesday for the second of two sold out shows.  As I watched from the balcony, the stage was a blur of bright lights and neon.  The songs were grittier and played with more intensity than the album versions, and came in rapid-fire succession - there were almost no breaks whatsoever.  The packed crowd danced to a set that was expectedly heavy on tracks from 2008's Fate and the just-released Shame, Shame.  Having seen Dr. Dog a few times now, I was impressed by how far the band has come in recent years - the rag-tag underdogs from Philly now have a deep catalogue of bouncy folk/psych/pop gems, a reliably excellent live show and dedicated, rabid fan base.  

Fantastic full soundboard recording of the show is available for stream/download below.  Thanks to Dr. Dog and their top-notch sound crew for the great recording.  If you download this please support the band by going to see the show when they come to your town, and go buy Shame, Shame if you haven't already.  Enjoy!

Dr. Dog
Paradise Rock Club - Boston MA
May 12, 2010

Mirror Mirror
Hang On
The Old Days
Army Of Ancients
The Way The Lazy Do
Someday
Shadow People
The Ark
The World May Never Know
I Only Wear Blue
Later
Unbearable Why
The Beach
The Breeze
The Rabbit, The Bat and The Reindeer
Station
The Girl
Shame, Shame
Jackie Wants a Black Eye
Stranger
Die Die Die
Fat Dog
Easy Beat
Heart It Races (Architecture In Helsinki)
My Friend

Full set downloads:  mp3 zip  

visible voice at Sasquatch

visible voice is heading out to the Pacific Northwest for the Sasquatch Music Festival.  I got shut out for press credentials, so I'll be going rogue and getting whatever content I can via non-professional still + video cameras.  visiblevoice.net will be quiet for the next few days - but feel free to follow @visiblevoicebos on twitter for live tweets from the festival.

Also taking this opportunity to post one of my favorite tracks from a band that I will be seeing live for the first time at Sasquatch:

Pavement - Gold Soundz

New music: Delta Spirit - History From Below

Delta Spirit’s upcoming sophomore LP History From Below is one of my most anticipated releases of the year.  I’m very excited to announce that the full album is available to stream below.  More comments to follow, but after one listen, I like what I hear.  Let me know what you think in the comments. 

Live Video: The Low Anthem

The Low Anthem's live show is captivating and inspiring - every time I see them, I leave in awe.  The band makes organic, beautiful music that is breathtaking in its purity.  I had the pleasure of seeing them twice recently; the April 20 show from the Paradise in Boston was documented via a crystal clear soundboard recording.  I'm now happy to share some excellent video from the Portland Maine show that took place just two days later.  The combination of a dimly lit stage and brightly backlit backdrop make for tough video conditions - but, with some added effects, I think the result is striking.  The band, cast in sepia tones and playing the melancholy "To The Ghosts Who Write History Books" against a backdrop of pulsing electric blue creates a startling contrast.

There may be more videos to come from this show - stay tuned, and enjoy.

Cover Me: Bruce Springsteen

Cover Me will be a recurring feature on visible voice that will showcase exceptional or interesting covers.  Cover songs are a tricky thing; done well they can highlight influences and similarities between the covering band and the covered that may or may not be apparent at first and in rare cases even transcend the original to become something entirely new.  Done poorly and the result can reduce an otherwise great band to the level of a wedding band, or worse, me in my bedroom playing Neil Young songs on a slightly out-of-tune acoustic guitar.

The inaugural edition of Cover Me features Bruce Springsteen, the artist for which this segment gets its name.  With a new wave of artists heavily indebted to Springsteen's work, he is a natural target for the cover treatment.  However, while the songs may be musically straightforward, channeling the passion from which the songs were written and the intensity with which they are performed is a daunting and difficult task, but these bands are up to the task.  Each of bands featured below takes a classic Springsteen song and adds their own original stamp, while still paying respect to the original:

Streets of Philadelphia (Marah)
Atlantic City (The Hold Steady)
The River (Josh Ritter)
Nebraska (Deer Tick)